This panel explores how AI is being used in audiovisual production for the performing arts and what this means in real terms. It looks at how AI supports capture, editing and post-production, and whether it genuinely improves efficiency and affordability. The discussion asks if the artistic outcome is different from traditional production methods, whether the quality is comparable, and by whose standards. It also addresses what is lost when creative teams are reduced, what new possibilities emerge for orchestras and producers, and where this is all heading.
- IMZ





